A City Inside Of Me

Before me, I see a blank place and a blank time.
And it's my blank place. And it's my blank time.
And also. And this is the thing. It’s your blank place too.
And it’s your blank time also. Do you see?
I see a man and a woman. And they're both heading towards 40.
For the sake of argument, let’s call them Christopher and Clair.
For the sake of argument, let’s call them Benedict and Hattie.
There’s no visible fire. And neither of them are sitting.
For the sake of another argument, why don’t we just
call them "me"? And why don’t we just call them "you"?
Christopher and Clair. Benedict and Hattie. Me and You.
All of us heading towards age 40. In a blank place.
At a blank time. In a blank city just like this one.
I see a blank diary in a plain paper bag.
I see a bloodstain in a plain coat pocket.
And I see a neighbour. And a little girl.
And the neighbour and the little girl I see
are dressed identically. Dressed like nurses.
One grown-up nurse. And one pre-pubescant nurse.
Emotion is detached. Dialogue is astringent.
Cryptic unease abounds. It’s all in the nuance.
In a blank time, in a blank place, blackbirds build their nests.
In a blank time, in a blank place, forget-me-nots are in bloom.
It’s okay though. It’s not real. None of this is real.
What I mean is this; they’re just actors. Really. It’ll all be okay.
And the blank place is probably just Richmond Upon Thames.
And the blank time could easily be today, or yesterday or tomorrow.
Neurobabble. Slight pause. White noise.
Franz Schubert's 'Six Moments Musicaux'.
Number 3. In F minor. Do you see?

'The City' by Martin Crimp