The necessity of matter has crept gradually into new compositions by through painting, collage and color. The bark and leaves are obtained by layers of spots, fingerprints, scraps of paper. The elements are not reported, but seem to emerge from this "compost pictorial". Reds that dominate these compositions accentuate the idea of the organic materials and energy obtained. Furthermore, patterns made of wire, inspired by the plant world, are shown on the compositions and extend beyond the frame. They are another way to approach the design: how to draw and write a line, a shape in a surface. But by invading their role, they ask real limits of the framework and emphasizes the notion of a work in progress, constantly evolving.
No comments:
Post a Comment