Alan Moore Doesn't Watch The Watchmen

From the moment the screen turns a beautiful shade of
smiley-face yellow, I’m confident that the next 162 minutes
are going to far exceed any of the expectations I may have had.
The Warner Bros. logo appears. Black on smiley-face yellow.
The Legendary Pictures logo appears. Black on smiley-face yellow.
The DC comics logo appears. Black on beautiful smiley-face yellow.
Prepare yourself for the smell of Nostalgia. Here comes the human bean-juice.
The dirigibles and the triangles and the
geodesic domes are all present and correct.
See there, the genetically-engineered lynx.
See there, the Gunga Diner fast-food wrappers.
See there, Jon Osterman's big blue uncut cock and shaven blue ball-sack.
Believe me, I don’t miss the presence of the psychic alien squid thing.
And I don’t miss the excerpts from ‘Tales Of The Black Freighter’ either.
I don’t even mind that Hollis Mason dies off-screen. Really I don’t.
Thing is, I can still remember the first time I saw
those magical words; “Suggested for Mature Readers Only”.
I can still remember the day I underlined the phrase
"Quis custodiet ipsos custodes?” in a school library book.
Darren Aronofsky decided to make ‘The Fountain’, rather than run the gauntlet.
Paul Greengrass passed. Terry Gilliam went so far as to say it couldn’t be done.
If I’m losing you, then tough-titty. Either ride out
the storm or go cry in somebody else's cornflakes.
This film simply wasn’t made for you. And what’s more, I’m glad it wasn’t.
They’re even playing ‘Hallelujah’ on the soundtrack.
And what’s more, it’s the original Leonard Cohen version.

Play the retro 80's Watchmen arcade game

'Watchmen': the Saturday morning cartoon version